Transcript · English → Chinese

English → Chinese transcript

我们正在听一首歌,我要用一首像《 耶稣爱我》这样简单的歌,

然后我就会这样唱:耶稣爱我,我知 道,因为《圣经》这样告诉我。

重音是在第一拍,对吧?

它更像是一种进行曲。

对吗?

现在我们也可以移动重音,我们可以 把它复制一份,放在一拍和

三拍上。

耶稣爱我,我知道,因为《圣经》这样告 诉我。

耶稣爱我,我知道,有点像小孩子唱 的那样。

很天真纯洁。

重音是在一拍和三拍上。

我们只要把重音移到二拍,或者移到 二拍和四拍,或者只移到

三拍上。

听起来有点让人困惑,不过会是这样 的。

耶稣爱我,我知道,因为《圣经》这样告 诉我,哦,小孩子都属祂。

突然之间,你就会得到我们所谓的说 唱或嘻哈的感觉。

还是同一个词,同一种感觉的,呃,抱 歉,同一种旋律或者什么的,

但我们所做的只是把重音移开了。

一旦我们把重音从一拍或三拍上移 走,它就变成切分节奏。

全世界所有神秘学专家都一致认为, 切分节奏是

异教礼拜仪式中神秘力量的源头。

真的?

哦,是的。

所以这对基督徒来说是很深刻的事 情。

现在我们在家里,在车里听带有基督 教歌词的音乐,里面有

这些节拍和切分的东西,然后我们还 在说,哦,这太棒了,太美妙了。

它真正做到的,就像它对古代巫毒崇 拜者和现代巫毒崇拜者所做的那样

在他们的宗教礼拜中,敬拜者的额叶 道德区会被短路。

这样就把他们带到一个可以被附身 的境地。

这被称为肉体与属灵之间十字路口 的位置。

而现在在教会里,我们也有这种事情 在发生,我们称之为

圣灵的运行。

这想法相当深奥。

相当深奥,没错。

好,那么突然之间,我们开始这样,我 们的大脑开始运转,而且我们开始,

不是让大脑运转,而是让情绪运转起 来。

我们把那个额叶的道德区给抛到一 边。

牧师所讲的任何内容都会毫无分辨 地进入里面。

神说,不,要与我辩论、推理。

所以我当场就知道,那不是出于神, 是出于魔鬼。

因为魔鬼不想让我们思考他到底是 谁,因为如果我们真的去推理思考

他是谁、他代表什么、他在对我们做 什么,我们就会远远地逃离他。

没错。

但因为我们在采纳他的那些东西,而 且可以说是在拥抱他的那一套,

还有他的音乐,我们就奔向他,并且 远离上帝。

End of transcript · 487 words · machine translated

Original transcript (English)

We are listening to a song, and I'm going to use a simple song like Jesus Loves Me, and I'm just going to say, Jesus loves me, this I know, for the Bible tells me so. The emphasis is on the one beat, okay? It's more of a march. Right?

And now we can also move the accent, we can duplicate it and put it on the one and on the three. Jesus loves me, this I know, for the Bible tells me so. Jesus loves me, this I know, kind of like a child would sing it. It's innocent.

It's on the one and three. All we have to do is shift the accent to the two, or to the two and the four, or just the three. Sounds kind of confusing, but it would be like this. Jesus loves me, this I know, for the Bible tells me so, oh, little ones do Him belong.

All of a sudden, you have what we call like a rap or a hip hop feel. It's the same word, same type feeling of the, excuse me, the same type of melody or whatever, but all we've done is move the accent. The moment we move the accent from the one or three, it becomes a syncopated beat. Syncopation by all occult experts around the world agree, syncopation is the source of

occult power in pagan worship services. Really? Oh, yeah. So this is profound to the Christian. Now we're in our homes, we're in our cars listening to Christian music that has all

these beats and syncopated things in it, and we're going, oh, this is great, this is wonderful. What it actually does, just like it does to ancient voodoo worshipers and modern day voodoo worshipers in their religious services, is it short circuits the frontal moral lobe. It gets them to a place to where they can become possessed. It's called the place of the crossroads between the physical and the spiritual.

And now in the church, we have this thing going on and we call it the moving of the Holy Spirit. That's pretty profound thinking. Pretty profound, yeah. Okay, so all of a sudden, we're getting this, our mind going and we're getting, not our

mind going, we're getting our emotions going. We're taking that frontal moral lobe and we're casting it off. And whatever the preacher's preaching goes in without interpretation. God said, no, reason with me. So I know right there, that is not of God, it's of the devil.

Because the devil doesn't want us to reason out who he is, because if we really reasoned it out and what he stood for and what he's trying to do for us, we would run from him. Exactly. But because we're adopting his things and we're embracing his stuff, if you will, and his music, we run to him and run away from God.

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