Discussion on Film Storytelling Techniques

What he is doing is a very tough job.

Uh, I feel it's—

Everyone says that every scene is like a climax, every

scene is like a trailer, but it's tough to do that.

Tough to sustain.

Yeah.

Yeah.

I feel

that's all very solidly, strongly written on paper.

People say Prashanth Neel's films have no story, no story, just elevations and fights—

but that's not it, there is a lot—

A story runs at some subconscious level.

There is a story, and to achieve that, a lot is very precisely written

on paper.

Otherwise, those intercuts wouldn't work out like that.

Just shooting whatever and fixing it in editing won't work out.

With my three films of experience, I can say that.

And uh—

Like, now when we narrate about the same hero from three or four people's perspectives,

doing that,

and—

Yes.

Hero A to—

Points of view.

Yeah. The hero goes from A to B, B to C.

There's no division there, but in what they're saying, there's a poin—

That's it, that's it.

It's not easy. I think that's his style.

It's a steep play.

Yeah.

Yeah.

That's his style. I think only he can do that.

Some other people tried to copy it. That's why it didn't work out.

Yeah.

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