Transcript · Spanish → English
Casual Conversations and Humor
Hey, what does it say here? What does it say here?
What?
Record, record.
I'm recording.
Record. Button, button.
Two people, two people.
Huh? Two people?
Two people, two people.
You know where the button is, right?
Two people, where is it?
It's two people.
Where is it?
It says to look for two people.
Um...
Hey, wait, they might not be here.
Not here?
Two people...
Could that be fruit? Whoa, watch out!
Ah, ah, ah, excuse me.
It's okay,
it's fine. It's okay, Kaori-san.
Please look for two people.
Two people?
Two people.
She wants us to look for two people.
Right.
Two people!
Wow.
Wow.
Huh? Well, I don't know the name.
Ah, no, he doesn't know the name, he doesn't know the name.
Why did I lose at job hunting?
Look, it barely just started, how stupid,
huh? Watch out.
It's weird, right?
Something?
It's weird, right?
It's weird, it's weird, it's weird. Something? Film that phone so both can be seen.
Okay.
Seriously, I don't
know the name.
Don't know the name? Is it fruits? If it's fruit, we'll hire her, right?
Do you like this one?
Nando, rate her.
He's going to say yes.
Nando, rate her. Yes or no?
What is your job?
What? She needs green, what? Naked?
It's just that— It's that she works.
But you gotta pay her first, obviously.
Beauty, beauty, beauty.
Oh, she cuts hair, she...
It's beauty.
All right. All right, now. That's why taking this love, Spain.
Yeah.
For Spain.
For Spain.
Film, film really close, Ranki.
Excuse me.
Oh, Spain.
Spain.
Spain. What are you doing now? What are you going to do now?
Right now, well— nothing in particular, and looking for
friends.
She's looking for female friends, friends.
No, seriously, um,
looking for friends.
Mmm.
Why?
She's seeing if she can find her, her friends.
What? Yes, yes, of course, yes. Keep going, keep going, go on. Yes.
Yes, Ranki, keep recording.
Eh.
Suwaru.
Ikkyā daigaku desu.
Daigaku?
Ikkyā daigaku shitemasu.
Mmm.
This girl is a student.
Me.
A student of what? What is she studying?
Well, hairdressing.
Ai no.
Daijobu. Look at the wal—the wallet here.
Daijobu, Onee-san.
She's acting a bit strange.
Yes. Chotto yopparai ne.
She's a bit drunk.
Ikimasu, yo.
Honki
de. Ai no.
Ai no.
Ya, sakebi mashou. Tomoachi no namae nan desu ka.
Tomoachi?
Ah, ii.
Ii.
Ii o?
Ah, matte.
Wait for me, but damn, she can't get this to record.
Matte mo.
Mmm.
Saa, ni, ishi. Tomoya.
Tomura?
Tomura!
Tomoya.
Tomoya.
It was already Tomura.
That's the name, Tomoya. Let's see, look, you pl—play with this here.
Oh, but you're pressing it wrong here.
That's how you play with the joystick, okay?
Okay, okay.
Tomoya.
Tomoya, we're going to ca— we're calling Tomoya.
Well, do you want to fuck her? I'll ask if she wants to go to a hotel.
Think fast. Now's the time.
This—
This one is free.
Listen, I'd slam her against the wall and give her
everything… Come on.
As hard as humanly possible.
Understood.
I don't know what you'd do, but I would.
Right, Spanish…
Let's get started.
Yeah.
Hey, stick your tongue out, tongue. Three, two, one.
Tomoya.
He's calling Tomoya.
Tomoya.
What, stick your tongue out, tongue.
No.
Ah.
Who is it, Tomoya?
Whoa, it's split.
Wow, that's amazing, isn't it?
You're filming really badly, Ranki. Once more, once more. Once more, please.
Once more, once more.
Three, two, one. Tomoya.
Wow.
That's amazing, isn't it, San?
Well, imagine this on the EP, huh? Holy shit.
Split tongue, what the hell. Do it like this, that's it. What are they saying?
It's called, it's called—
Oh, with a phone.
The term is called split tongue, like a snake.
Follow, doggy. Made to cry.
Made to cry, go on.
Holy shit, the Black guy from Africa, oh my God.
Hey, stop videoing me. What's wrong with you?
Don't worry.
What's wrong with you?
I'm, I'm—
What?
Why are you videoing me?
Hey, wait. I'm recording the girl. Wait.
Hey, she's talking to me.
Kashi, kashi, kashi no, kashi no, no spoke.
The camera, right? So don't worry, okay? Don't worry, right? It's fine, okay?
What the fuck is wrong with this guy?
If you video me, do you think it's right?
What?
Do you think it's right videoing me?
Miss, miss, come here.
No, no, no.
Okay, come here.
No, no, no.
You can speak Japanese, right?
You can't be talking to somebody, I'm questioning.
Are you crazy?
Wait, wait. I'm police, Spanish police.
So, it's okay, right? It's okay, okay?
You just told me she hit me.
It's okay.
Listen, you speak Japanese, right?
Yeah, what's wrong?
I didn't take, didn't take it, right?
Fuck your ass.
Huh?
Look, look. Hey, look.
I'm Spanish police. It's okay, right? It's okay.
She's putting a hand like this, on my leg.
Where's the bag?
It's okay, okay? I'm Spanish, Spanish police.
It's okay, okay?
Where's her bag? Where's her bag?
Huh?
Her bag, her handbag.
A handbag.
Yeah.
I have a hand—
I, I don't understand you.
Let's go, let's go.
Okay, let's go. Excuse me, eh. Be careful, eh. Come on, come, that's it.
Did you see how quickly the problem was resolved?
Yeah, but the camera almost caught us. Because I was paying close attention.
No way in hell is he taking your camera.
No, not at all, because I was very alert.
Nah, not a chance.
He a-almost gave you a tornado.
Did you see how quickly the problem ended, right?
Yeah, because also because I kept the camera on.
And in a polite, proper way, with no problems, no fuss, and no
violence.
Hey, you also saw how this guy—
Because you—
No, no, one thing.
Because he's a black piece of shit who leaves you here and wants…
You could see how you filmed him and the guy hit me, because obviously, I'm
smaller than you.
He sees you as weaker.
Right, but then you speak to him in Japanese, because what scares them most is that you know
Japanese, because obviously, if you don't know Japanese,
how the hell are you gonna ha—
to talk to the police? So, the moment he touches me,
I speak in Japanese to
on purpose, I actually told him: "You speak Japanese, right?"
And speaking Japanese like that freaks Black people out.
The problem is if you speak English, because you won't be able to complain to the
police,
let's say. What freaks Black people out is the
police.
Yeah, yeah, cut.
End of transcript · 1,109 words · machine translated
Original transcript (Spanish)
Oye, ¿qué dice aquí? ¿Qué dice aquí? ¿Nani o? Graba, graba. Grabo. Graba. Botón, botón.
Futari, futari. ¿Eh? ¿Futari? Futari, futari. ¿Sabes cómo el botón, no? Futari, ¿dónde está?
Futari desu. ¿Dónde está? Dice que busquemos a dos. Ehto... Eh, mate, inai kamo.
¿Inai? Futari... ¿Esa será fruta? Uy, ¡cuidado! Ah, ah, ah, sumimasen. Sai, daijobu
desu. Daijobu desu, Kaori-san. Futari sagasete kudasai. ¿Futari? Futari. Quiere que busquemos a dos.
Honne. ¡Futari! Guau. Guau. ¿Eh? Ja, namae shiranai shi.
Ah, no, no conoce el nombre, no sabe el nombre. Shukatsu doushite makete. Mira qué puto quito acaba de empezar, qué tonto, ¿eh? Cuidado. Okaши desho.
¿Nanika? Okaши desho. Es raro, es raro, es raro. ¿Nanika? Grábate ese teléfono, que se vean los dos. Okey. Honmani, namae
shiranai. ¿Namae shiranai? ¿Será frutas? Que si es fruta, la contratamos, ¿o no? ¿Te gusta esta? Nando, valora. Le va a decir sí.
Nando, valora. ¿Sí o no? Shigoto, shigoto nan desu ka. ¿Qué? Necesita el verde, ¿qué? ¿Desnuda? Es que es que es trabaja. Pero sí que pagarla primero, no te jode.
Beauty, beauty, beauty. Ah, es de cortar el pelo ella, de... Beauty desu. Yoshi. Yoshi, ya. Dakara kono ai to tteru Supain. Yeeeh.
Supain no tame ni. Supain no tame ni. Graba, graba muy de cerca, Ranki. Sumimasen. Ay, Spain.
Spain. Spain. Ima kara nan shite iru desu ka. ¿Qué vas a hacer ahora? Ima kara mou nan-- nantomo nakute tomodachi o sagasete itai. Está buscando amiga, amigos.
Iya, honki de, ano, tomodachi sagashi de. Mmm. Doushite. Está a ver si lo encuentra a los, a los amigos.
¿Qué? Sí, sí, claro, sí. Sigue, sigue, sigue. Sí. Que sí, Ranki, sigue grabando. Eh. Suwaru. Ikkyā daigaku desu.
¿Daigaku? Ikkyā daigaku shitemasu. Mmm. Estudiante esta chica. Yo.
Estudiante de qué, ¿qué estudia? Pues de peluquería. Ai no. Daijobu. Mira la car-la cartera aquí. Daijobu, Onee-san.
Está un poco rara. Sí. Chotto yopparai ne. Está un poco borracha. Ikimasu, yo. Honki
de. Ai no. Ai no. Ya, sakebi mashou. Tomoachi no namae nan desu ka. Tomoachi? Ah, ii.
Ii. ¿Ii o? Ah, matte. Espérame, pero ahora había hostia, que esta no le sale a grabar. Matte mo.
Mmm. Saa, ni, ishi. Tomoya. ¿Tomura? ¡Tomura! Tomoya.
Tomoya. Tomura ya era. Es el nombre, el Tomoya. A ver, esto, mira, aquí jue-juegas con esto. Ah, pero lo tienes aquí pulsado mal. Así juegas con el joystick, ¿vale?
Okey, okey. Tomoya. Tomoya, vamos a llama-- estamos llamando a Tomoya. Bueno, ¿te la quieres follar? Le digo si quiere ir al hotel. Valora, rápido. Es el momento.
Está- Esta es gratis. Escucha, yo la estampaba contra la pared y le daba todo... Vamos. Todo lo duro del mundo.
Entendido. No sé tú lo que harías, pero yo sí. Ya, Supengo... Hajimemashou. Sii.
Eh, shita daste, shita. Sani, ichi. Tomoya. Está llamando a Tomoya. Tomoya. Nani, shita daste, shita.
No. Ah. Dare da, Tomoya. Eh, la tiene partida. Ooo sugoi yo ne.
Estás grabando muy mal, Ranki. Moi kai, moi kai. Moi kai, moi kai onegai shimasu. Moi kai, moi kai. Three, two, one. Tomoya. Guau. Sugoi yo ne, San.
Bueno, imagínate esto en el EP, ¿eh? Madre mía. Doble lengua, qué cojones. Kore de yatte ya, ya está. ¿Cómo dice? Se llama, se llama- Ah, con teléfono. El término se llama lengua bífida, como una serpiente.
Otte, wanko. Nakasarete. Nakasarete, dale. Hostia, el negro de África, madre mía. Hey, stop videoing me. What's wrong with you? Don't worry.
What's wrong with you? I'm, I'm- What? Why are you videoing me? Che, matte. I'm recording to the Onee-san. Matte.
Hey, she's talking to me. Kashi, kashi, kashi no, kashi no, no spoke. La cámara, ¿eh? So don't worry, okey? Don't worry, ¿eh? Daijobu da yo, okey? What the fuck is wrong with this guy? If you video me, do you think it's right?
What? Do you think it's right videoing me? Onee-san, Onee-san, kite. No, no, no. Okey, kite.
No, no, no. Nihongo dekiru yo ne. You can't be talking to somebody, I'm questioning. Are you crazy? Matte, matte. Watashi wa keisatsu, Supain jo keisatsu.
So, daijobu da yo ne. Daijobu, okey? You just told me she hit me. Daijobu. Kite, nihongo dekiru yo ne. Ya, doushita.
Watashi wa totte, totte nakatta yo ne. Fuck your ass. Ha? Mite kure, mite kure. Ne, mite kure. Watashi wa Supain jo keisatsu. Daijobu da yo ne. Daijobu.
Me está poniendo una mano así, en mi pierna. Kaban doko? Daijobu, okey? Watashi wa Supain jo, Supain jo keisatsu. Daijobu, okey? Where's her bag? Where's her bag?
¿Eh? Her bag, her handbag. A handbag. Yeah. I have a hand-
I, I don't understand you. Let's go, let's go. Okey, let's go. Sumimasen, eh. Be careful, eh. Vamos, ven, ya está. ¿Has visto qué rápido se ha acabado el problema? Sí, pero casi nos coge la cámara. Porque estuve muy atento.
No te coge una cámara ni de coña. No, que va, porque estuve muy atento. Na, ni de coña. Ca-casi te hace un tornado. ¿Has visto qué rápido ha acabado el problema, no?
Sí, porque también porque mantuve la cámara. Y de manera educada y correcta, sin problemas y sin historias y sin violencia. Oye, también ya viste como el tipo este- Porque tú-
No, no, una cosa. Porque es un negro de mierda que te deja aquí y quiere... Se ha visto como tú lo grabaste y el tipo me dio a mí, porque claro, soy más pequeño que tú. Te ve más débil.
Claro, pero ahí le hablas en japonés, porque las acojona sobre todo que sabéis japonés, porque claro, si no sabéis japonés, ¿cómo cojones vas a ten-- a hablar con la policía? Entonces, en el momento que me toca, le hablo en japonés a
propósito, le dije de hecho: "¿Sabes japonés, verdad?" Y hablando japonés de esa manera, se acojonan los negros. El problema es si hablas inglés, porque no te vas a poder quejar a la policía, digamos. Eso es lo que acojona a los negros es la
policía. Sí, sí, corta.
