Transcript · Igbo → English
Igbo → English transcript
Nobody at all will give me anything. They are not a catchment.
He knows how to quietly take a small ten million because you will go and
be fixing yourself up. Okay, I give you ten million, I will use force to take you.
They are not a catchment. Rubbish. Loving Every Word,
one of those films, a team of... I loved the script, but... the way the film went,
that bad, it was not planned. They shot that Loving Every Word for seven days.
And I met her on the film, everybody, everyone was getting angry because...
it was not a film that any of us were proud of. When that film came out,
I started seeing what was happening in it.
Everyone was angry because it blew our minds and I feel like... what God did was,
He used that thing to just... settle most of us now that that is... that film.
That part one, I was just stunned,
it was the first time I saw that“ bam bam.”
It was just today that I met her,
I had never seen the girl before. I know them, of course,
we were in Big Brother at that time.
She was in the Big Brother house, I was in my own, you know.
Before Bam Bam, it was not Bimbo and me that anyone thought would hook up.
You know, everyone keeps asking me,“ You and Bimbo never did anything before?”
Because it is just work,
you know, we have to do what we have to do.
Look at me, as I am now, look at me, I am not like that now. Whoever they give me,
my job is to make sure that it's believable. And what I do before the film starts…
I will meet my colleague, the woman, and ask her questions. How far is too far?
What… If I do this, will you be offended?
If I touch you, will you be offended?
I will stop there, because I do not want to go beyond the bounds of decency.
You know, and I touched your body,
like the way someone is groping her or something like that. No, no, no.
So I always ask, I will ask questions. I was married too, you know, I had
married a woman. And the thing is,
in fact, it was not a topic of conversation at all. Because it was not the first,
it's not the, it was not the first film I would do with a woman. It was a woman,
you know, so, but sometimes, the one I touched was...
the one they said I had already gotten the girl pregnant, you know.
And that was when I came out and, you know,
told them that the guy was making things up.
You know, because he was peddling some very false information and a false narrative.
So, but apart from that,
it wasn't a matter of concern because it was gossip. I was worried for my colleague,
Bam Bam, you know. I was worried for her and for Teddy, actually.
But I just knew they were going to go past it. I understood,
I asked myself and thought about it, you know. Because being a creative,
I did not want them to put me in a box. Even in Hollywood, stereotyping is a thing.
But for now, it's bringing money.
Money is coming in, it is coming in…
I am making money through that particular character. And the Odogwu character,
Odogwu at least has come to stay.
A lot of brands are coming because they like the Odogwu character.
They come to me because they feel that that Odogwu character resonates with those
our brothers and relatives. You know, so, I'm going to fight it.
With time, you know,
people will begin to understand more that I'm just an actor.
And with whatever character I am given,
I will do my best, you know, to make it a really good film.
Make the character turn out really well.
There was a time I was talking with them, one zombie film they made in Nigeria,
but it didn't really take off. And so I talked to my people, I said, okay,
let's try to make a film...
that is different from everything everyone is doing and watching.
You know, and that was how the zombie film came about. The film did very well.
For a genre that just started and has made over 70 million, I think we have tried.
And I know that what we made now might not be a hundred percent.
Comparing it to some of the international zombie films that white people make.
You know, but what I want to tell Nigerians is... pre- production for the
sequel will start very soon.
They should rest assured that we will do well,
we will make a very good film like this first one we made. In a sane environment,
you wouldn't really need to spend money to promote the film. Especially for
the actors in the film or the producers. But what happens in our market is
very different. And there's nothing wrong with that. Nigerians are getting into skit
making and content creation.
And as long as you can get them to laugh and engage with the skit...
and the content you create around that film.
I think that is where the dancing comes in, not that it's all just dancing.
You will dance, you know, you will dance, you will finish dancing,
hype the dance, hype the dance. You hype the dance, sometimes people will show up.
That is where the market is now. And it's just,
you either beat them or join them, that's how it is.
End of transcript · 956 words · machine translated
Original transcript (Igbo)
Ọ dịghị onye ọbụla ga-enye m. Ọ ma ka e si ewe small 10 million n'ihi na ị ga-ara na-agbazi gị. Okay, m nye gị 10 million, m ga-eji force ewe gị. They are not a catchment. Loving every word, one of those films, a team of...
And I met her at the film, onye ọbụla, iwe na-ewe onye ọbụla because... it wasn't a film that any of us were proud of. Film ahụ pụta, m na-ahụzi ihe na-eme n'ime ya. Iwe na-ewe onye ọbụla because it blew our minds and I feel like... ihe Chukwu mere wụ, o ji ihe ahụ just...
That part one m na-abam bam wụ the first time m hụrụ bam bam. Ọ taa ka m ya na-abụ, ahụbeghị m the girl before. Ọ taa ka m ya na-abụ, ahụbeghị m the girl before. I know them, of course, anyị nọrọ na Big Brother that time. Ọ nọ na Big Brother house, mụ onwe m nọ na nke ya, you know.
Before Bam Bam, ọ bụghị mụ na Bimbo ka onye ọbụla chere na mụ na ya ga-eme ihe. You know, onye ọbụla na-ajụ m na, gị na Bimbo emebeghị ihe before. Because it's just work, you know, we have to do what we have to do. Because it's just work, you know, we have to do what we have to do. Ị hụ m, as I am now, ị hụ m, mụ abụdị now.
Onye ọbụla nyere m, my job is to make sure that it's believable. m ga-e-meet my colleague, the female person, jụọ ya ajụjụ. Nke a ka m ga-eme, ị ga-ewe iwe? M metụ gị aka, ị ga-ewe iwe? Nke a ka m ga-eme, ị ga-ewe iwe? M metụ gị aka, ị ga-ewe iwe? Ọ ga-abụ m bam, because I do not want to go beyond the bounds of decency.
You know, and m metụ gị aka na ahụ, ụzọ is groping her or something like that. You know, and m metụ gị aka na ahụ, ụzọ is groping her or something like that. No, no, no. So I always ask, m ga-ajụ ajụjụ. And the thing is, in fact, it was not a topic of conversation at all. And the thing is, in fact, it was not a topic of conversation at all.
Because ọ bụghị nke mbụ, it's not the, ọ bụghị the first film m ga-eme mụ na nwaanyị. Ọ bụ nwaanyị, you know, so, but sometimes, nke m metụrụ m wụ... nke ha sị na m atụrụla the girl ime, you know. And that was when I came out and, you know, gwa ha sị the guy na ọ na-akọcha ihe na-adịghị. You know, because he was peddling some very false information and narrative.
So, but apart from that, it wasn't a matter of concern because ọ wụ asị. So, but apart from that, it wasn't a matter of concern because ọ wụ asị. I was worried for her and Teddy, actually. But I just knew they were going to go past it. Aghọta m, a sị m jụọ na atụ m, you know.
Because being a creative, a chọghị m ka a tinye m n'ime box. But for now, it's bringing money. A kpata ego, a kpata... m na-akpata ego through that particular character. A kpata ego, a kpata... m na-akpata ego through that particular character. A lot of brands are coming because they like the Odogwu character.
They come to me because they feel like that Odogwu character resonates with those our ụmụnne and ụmụnna. You know, so, I'm going to fight it. With time, you know, people will begin to understand more that I'm just an actor. With time, you know, people will begin to understand more that I'm just an actor. And whatever character e nyere m, m ga-eme my best, you know, mee ya ezigbo film.
Mee the character ka ọ pụta nke ọma. O nwere otu oge mụ na ha na-akparịta, one zombie film ha mere na Nigeria, but it didn't really take off. And so I talked to my people, I said, okay, ka anyị gbalịa mee film... dị different from everything onye ọbụla na-eme, ọ na-ekiri. You know, and that was how the zombie film came about.
For a genre that just started and has made over 70 million, I think anyị agbalịgo. And I know that nke anyị mere now might not be a hundred percent. Comparing to some of the international zombie films ndị ọcha na-eme. You know, but ihe m chọrọ ịgwa ndị Nigeria wụ... They should rest assured that anyị ga-eme nke ọma, anyị ga-eme ezigbo film ka this first one anyị mere.
In a sane environment, e leghị anya ị gbasịrị ego ị promote film. Especially for the actors nọ na ime the film or the producers. And there's nothing wrong about that. And as long as you can get them to laugh and engage with the skit... and the content ị create-ịrị around that film.
I think that is where the dancing comes in. Not that it's all na-anọ dancing. Ị ga-agba egwu, ị ma, ị gba egwu, ị gbacha egwu, techa egwu, techa egwu. Ị techa egwu, sometimes ndị mmadụ a ga-apụta. Ọ wụ ebe the market nọ now. And it's just, you either beat them or join them, that's how it is.