English → Japanese transcript

すみません。

すみません。ねえもう一回

やり直してもらえますか?

初対面なのは分かって

るんですけどでも

アリにはなりたく

ないんです分かります?

つまり人生を送って

いく中で触角をお互いにぶつけ

合ってるだけっていうかず

っとアリの自動操縦み

たいな状態でそこに本当

に人間らしいものは何も求

められてない

止まれ進めここを歩けあそこを

運転しろすべての行動は基

本的に生き延びる

ためだけですべての

コミュニケーションはただ

このアリの巣を効率よく

回し続けるためだけ丁寧

なやり方でね「おつりです」「

紙袋にします?ビニール袋にし

ます?」「クレジットです

かデビットですか?」

「ケチャップ

はおつけしますか?」

とかストロー

なんていりません

欲しいのは本物の人間同士の

時間なんです

あなたをちゃんと見たいあなた

にも私を見てほしいそれを

手放したくない

んですアリにはなりたく

ないんです分かります?

うんうんああその…

僕(私)もアリにはなり

たくないようんさっきこう

なんかガツンと気づかせ

てくれてありがとう最近

ちょっとしたゾンビ

みたいに自動操縦

で生きてる感じなんだ頭の

中はアリみたいな気分じゃ

ないけどきっと見た目は

そんなふうに見えるんだろうね

ちょっとD・H・ロレンスが

考えていたイメージに似

ていて道で出会った

二人がただすれ違って目を

そらすんじゃなくて彼の

言うところの魂と魂の対決

を受け入れることにするんだ

それはええとみんなの中に

いる大胆で向こう見ずな神

々を解き放つみたいな感じ

そうして初めて出会えた

ってことになるんだ

End of transcript · 338 words · machine translated

Original transcript (English)

- Excuse me. - Excuse me. Hey. Could we do that again? I know we haven't met, - Excuse me. Hey. Could we do that again? I know we haven't met, but I don't want to be an ant, you know? but I don't want to be an ant, you know?

but I don't want to be an ant, you know? I mean, it's like we go through life with our antennas bouncing off one another, I mean, it's like we go through life with our antennas bouncing off one another, continuously on ant autopilot, with nothing really human required of us.

with nothing really human required of us. Stop. Go. Walk here. Drive there. All action basically for survival. All action basically for survival. All communication simply to keep this ant colony buzzing along in an efficient,

All communication simply to keep this ant colony buzzing along in an efficient, polite manner. "Here's your change." "Paper or plastic?" "Credit or debit?" polite manner. "Here's your change." "Paper or plastic?" "Credit or debit?" "You want ketchup with that?" I don't want a straw. I want real human moments. "You want ketchup with that?" I don't want a straw. I want real human moments.

"You want ketchup with that?" I don't want a straw. I want real human moments. I want to see you. I want you to see me. I don't want to give that up. I want to see you. I want you to see me. I don't want to give that up. I don't want to be an ant, you know? I don't want to be an ant, you know?

I don't want to be an ant, you know? Yeah. Yeah, no, I... I don't want to be an ant either. I don't want to be an ant either. Yeah, thanks for kind of, like, jostling me there.

I've been kind of on zombie autopilot lately. I've been kind of on zombie autopilot lately. I've been kind of on zombie autopilot lately. I don't feel like an ant in my head, but I guess I probably look like one. I don't feel like an ant in my head, but I guess I probably look like one.

I don't feel like an ant in my head, but I guess I probably look like one. It's kind of like D.H. Lawrence had this idea of two people meeting on a road and instead of just passing and glancing away, instead of just passing and glancing away, they decide to accept what he calls the confrontation between their souls.

they decide to accept what he calls the confrontation between their souls. It's like, um, like freeing the brave reckless gods within us all. Then it's like we have met.

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