Transcript · Spanish → English
Casual Conversations and Humor
Hey, what does it say here? What does it say here?
What?
Record, record.
It's here.
Record. The button, the button.
Two people, two people.
Huh? Two people?
Two people, two people.
You pressed the button, right?
It's two people.
What about the two?
It's two people.
What's wrong? He says to look for two.
Uh, well...
Hey, wait, maybe they're not here?
Not here?
Two people...
Could that be fruit? Whoa, watch out!
Ah, ah, ah, excuse me.
Yes, it's fine. It's fine, Kaoni-san.
We need to look for two people.
Two people?
Two people!
He wants us to look for two.
Seriously!
Two people!
Wow.
Wow.
Yeah, and I don't know the name.
Ah, no, he doesn't know the name, he doesn't know the name.
Don't mess up the job hunt.
Look what a damn tremor just started, what a shake, huh?
Watch out.
That's weird, isn't it?
What is?
That's weird, isn't it?
It's weird, it's weird, it's weird. What is? Film from far away so both of them can be seen.
Okay.
No. Seriously. The name...
I don't know.
You don't know her name? Is it fruits? If it's fruit, we hire her or not.
Do you like this one?
Nando, rate her.
Works for him, he says yes.
Nando, rate her. Yes or no?
What's your job?
Job?
What? She needs a drink, excuse her.
What she does for a living.
But you gotta pay her first, no shit.
Hairdresser, hairdresser, hairdresser.
Ah, she cuts hair, she's a…
Hairdresser…
…I am.
Hairdresser. Hairdresser, right. That's why so—
Ah, you're filming, you're filming.
Filming for Spain.
Yeah.
Yeah.
For Spain?
For Spain.
Film, film really close, Ranki.
Thank you very much.
Oh, Spain.
Spain.
Spain. What are you going to do now? What are you going to do now?
From now on, well— not much really, looking for friends…
…and searching.
She's looking for a friend, friends.
No, really, um…
…looking for friends.
Mmm.
Wondering what to do.
He's seeing if he can find, find his friends.
What? Yes, yes, of course, yes. Keep going, keep going, keep going. Yes.
What, is Ranki still recording?
Huh.
Sit down.
It's Ikkyo University.
University?
I go to Ikkyo University.
Mmm.
This girl is a student.
Yo.
Student of what? What is she studying?
Oh, hairdressing.
Ai no.
It's okay. Look at the wa- the wallet here.
It's okay, miss.
Yo, ai no.
Well, she's a bit strange.
Yes. A bit drunk, right?
She's a bit drunk.
Let's go...
Yo.
Ai no. Ai no.
Let's shout. What was your name?
Yeah... What is it? What's your name? Ah...
I.
I.
I or?
Ah, wait.
Wait for me, but damn, this one isn't recording them.
Honatsu, right?
Mmm.
Three, two, one. Tomoya!
Tomura?
Tomoya.
Tomura!
Tomoya.
Tomoya!
It was already Tomura.
That's the name, Tomoya. Let's see, look, you pl-play with this here.
Ah, but you're pressing it wrong here. This is how you use the joystick, okay?
Okay.
Tomoya.
Tomoya. We're gonna ca— we're calling Tomoya.
Well, do you want to fuck her? I'll ask her if she wants to go to a hotel.
Decide, quick. Now's the time.
She's—
This one's free.
Listen, I'd slam her against the wall and give her
everything… Come on.
As hard as humanly possible.
Got it.
That's what you'd do. But I would.
Yeah, I guess…
Oh, you aren't gonna be in the video? Is it just me?
Huh?
Yeah.
Hey, stick your tongue out, tongue. Three, two, one.
Tomoya.
He's calling Tomoya.
Tomoya.
What, stick your tongue out, tongue.
No.
Ah.
Who is it, Tomoya?
Hey, it's split.
Hilarious. That's awesome.
You're filming really badly, Ranki. Again, again. One more time, please.
One more time, one more time.
Three, two, one. Tomoya.
Wow.
That's awesome, three.
Well, imagine this on the EP, eh? Oh my god.
Split tongue, what the fuck? Kore de atte ya, that's it.
Hey!
What did you say?
It's called, it's called—
Ah, cut, cut.
The term is called split tongue, like a snake.
Tte. White. Nakasaete.
Nakasaete, go ahead.
Damn, African black, holy shit.
Hey, stop videoing me. What's wrong with you?
Don't worry.
What's wrong with you?
I'm, I'm—
What?
Why are you videoing me?
Che, mate, I'm referring to the onee-san. Mate, mate.
She's talking to me.
We almost, almost, almost…
Daizu.
The camera, eh.
So don't worry, okay?
Don't worry, eh. Daijoubu.
Okay?
What the fuck is wrong with this guy?
You video me, you think it's right?
What?
You think it's right? Videoing me.
Onii-san, onii-san, kite.
No, no, no.
If it's— Okay.
Kite. Nihongo dekiru yo ne.
You got
me talking to somebody. Are you crazy?
Wait, wait. I'm police, Spanish police. That's right.
It's all right, right? It's fine. Okay?
You just saw me.
Ah, it's fine. You speak Japanese, right?
Yeah.
I wasn't filming, right?
Fuck you, ass.
Ha. Look, look. Hey, look.
I'm Spanish police.
It's fine. It's fine. He's putting his hand on my foot here.
Okay, buddy?
It's fine, okay? I'm
Spanish police. It's fine, okay?
Where's her bag? Where's her bag?
Huh?
Her bag, her handbag.
A handbag?
Yeah.
I, I don't understand you.
Let's go, let's go.
Okay, let's go. Excuse me, eh. Be careful, eh. Come on, come here, that's it.
Did you see how quickly the problem was solved?
Yeah, but the camera almost caught us. Because I was paying attention.
No way a camera would catch you.
No way, because I was paying attention.
Nah, no way in hell.
He a-almost hit you with a tornado.
You saw how quickly the problem ended, right?
Yeah, because he also asks me to take the
camera off him.
And in a polite and proper way, no problems, no drama, and no
violence.
Hey, you also saw how this guy—
Because—
No, no, one thing.
Because he's a piece of shit Black guy far from here and wants… fuck.
You could see you filmed him and the guy hit me, because of course, I'm
smaller than you.
He sees you as weaker.
Sure, but you speak Japanese to him there, because it scares them that you know
Japanese, because of course, if you don't know Japanese,
how the fuck are you gonna ha—
to talk to the police? So, the moment he touches me,
I speak Japanese to
on purpose, I actually told him, "You know Japanese, right?"
And speaking Japanese like that freaks Black people out.
The problem is if you speak English, because you won't be able to complain to the
police,
let's say. What freaks Black people out is the
police.
Yeah, yeah, cut.
End of transcript · 1,119 words · machine translated
Original transcript (Spanish)
Oye, ¿qué dice aquí? ¿Qué dice aquí? ¿Nani o? Graba, graba. Aru. Graba. Botón, botón.
Futari, futari. ¿Eh? ¿Futari? Futari, futari. Te has puesto el botón, ¿no? Futari desu.
¿Futari doshita? Futari desu. ¿Doshita? Dice que busquemos a dos. Ehh, tto... Eh, mate, inai ka na.
¿Inai? Futari... ¿Esa será fruta? Uy, ¡cuidado! Ah, ah, ah, sumimasen. Hai, daijoubu. Daijoubu desu, kaoni-san.
Futari sagasutō shii desu. ¿Futari? ¡Futari! Quiere que busquemos a dos. ¡Honma ni!
¡Futari! Guau. Guau. Ya, namae shiranai shi. Ah, no, no conoce el nombre, no sabe el nombre.
Shukatsu dame shinaikute. Mira qué puto quito acaba de empezar, qué temblón, ¿eh? Cuidado. Okashi deshou. ¿Nani ga?
Okashi deshou. Es raro, es raro, es raro. ¿Nani ga? Graba desde lejos, que se vean los dos. Okey. Iya. Honma ni. Namae shiranai.
¿Namae shiranai? ¿Será frutas? Que si es fruta la contratamos o no. ¿Te gusta esta? Nando, valora. Le vale, dice sí. Nando, valora. ¿Sí o no?
¿Shigoto nandeskā? ¿Shigoto? ¿Qué? Necesita beber, que desculpa. Que es que trabaja. Pero sí que pagarla primero, no te jode.
Biouši, biouši, biouši. Ah, es de cortar el pelo ella, de... Biouši desu. Bioushi. Bioushi, ya. Dakara konani-
Ah, totteru, totteru. Totteru supain. Yeeeh. Yeeeh. ¿Supain no tameni?
Supain no tameni. Graba, graba muy cerca, Ranki. Arigatou gozaimasu. Ay, Spain. Spain.
Spain. Ima kara nanisuru n desu ka. ¿Qué vas a hacer ahora? Ima kara mou nan-- nontomo nakute tomodachi o sagasete... Está buscando amigo, amigos. Iya, hontou ni, ano...
tomodachi sagashi de. Mmm. Doush you tte iu. Está, a ver si lo encuentra a los, a los amigos. ¿Qué? Sí, sí, claro, sí. Sigue, sigue, sigue. Sí.
¿Qué, si Ranki sigue grabando? Eh. Suwaru. Ikkyā daigaku desu. ¿Daigaku?
Ikkyā daigaku shitemasu. Mmm. Estudiante esta chica. Yo. ¿Estudiante de qué? ¿Qué estudia?
Ay, pues de peluquería. Ai no. Daijoubu. Mira la car-la cartera aquí. Daijoubu ne san. Yo, ai no.
Bueno, está un poco rara. Sí. Chotto yopparai ne. Está un poco borracha. Ikou shi... Yo.
Ai no. Ai no. Ya, sakebimashou. ¿Tú más si no namae nante? Sou... Nan chi? Nan chi namae? Ah... I. I.
¿I o? Ah, mate. Espérame, pero ahora había hostia, que esta no les a grabar. Honatsu no ne. Mmm.
Sa, ni, is. ¡Tomoya! ¿Tómura? Tomoya. ¡Tómura! Tomoya.
¡Tomoya! Tomura ya era. Es el nombre, el Tomoya. A ver, esto, mira, aquí jueg-juegas con esto. Ah, pero lo tienes aquí pulsado mal. Así juegas con el joystick, ¿vale? Okey.
Tomoya. Tomoya. Vamos a llama-- estamos llamando a Tomoya. Bueno, ¿te la quieres follar? Le digo si quiere ir al hotel. Valora, rápido. Es el momento. Está-
Esta es gratis. Escucha, yo la estampaba contra la pared y le daba todo... Vamos. Todo lo duro del mundo. Entendido.
Es lo que harías. Pero yo sí. Ya, supengo... Ah, ¿no vais a salir en el vídeo? ¿Soy yo? ¿Eh? Sí.
Eh, shita daste, shita. Sa, ni, ichi. Tomoya. Está llamando a Tomoya. Tomoya. Nani, shita daste, shita.
No. Ah. ¿Dare da, Tomoya? Eh, la tiene partida. Omoishoi. Sugoi ne.
Estás grabando muy mal, Ranki. Moi kai, moi kai. Moi kai, moi kai, onegaishimasu. Moi kai, moi kai. Three, two, one. Tomoya. Guau. Sugoi ne, san.
Bueno, imagínate esto en el EP, ¿eh? Madre mía. Doble lengua, ¿qué cojones? Kore de atte ya, ya está. ¡Oye! ¿Cómo dices? Se llama, se llama-
Ah, corta, corta. El término se llama lengua bífida, como una serpiente. Tte. Blanco. Nakasaete. Nakasaete, dale. Hostia, el negro de africano, madre mía.
Hey, stop videoing me. What's wrong with you? Don't worry. What's wrong with you? I'm, I'm- What?
Why are you videoing me? Che, mate, I'm referring to the onee-san. Mate, mate. She's talking to me. Casi, casi nos, casi nos... Daizu.
La cámara, eh. So don't worry, okay? Don't worry, eh. Daijoubu. Okay? What the fuck is wrong with this guy?
You video me, you think it's right? What? You think it's right? Videoing me. Onii-san, onii-san, kite. No, no, no.
If it's-- Okay. Kite. Nihongo dekiru yo ne. You got me talking to somebody. Are you crazy? Mate, mate. Watashi wa keisatsu, supain no keisatsu. Sou.
Daijoubu da yo ne. Daijoubu. Okay? You just saw me. Ah, daijoubu. Nihongo dekiru yo ne. Yeah. Watashi wa tottena katta yo ne.
Fuck you, ass. Ha. Mite kure, mite kure. Ne, mite kure. Watashi wa supain no keisatsu. Daijoubu da. Daijoubu. Me está poniendo una mano aquí en el pie. Okay, onii-san?
Daijoubu, okay? Watashi wa supain no keisatsu. Daijoubu, okay? Where's her bag? Where's her bag? ¿Eh? Her bag, her handbag.
A handbag? Yeah. I, I don't understand you. Let's go, let's go. Okay, let's go. Sumimasen, eh. Be careful, eh. Vamos, ven, ya está.
¿Has visto qué rápido se ha acabado el problema? Sí, pero casi nos coge la cámara. Porque estuve yo atento. No te coge una cámara ni de coña. No, que va, porque estuve yo atento. Na, ni de coña.
Ca-casi te hace un tornado. ¿Has visto qué rápido ha acabado el problema, no? Sí, porque también me pide que le quite la cámara. Y de manera educada y correcta, sin problemas y sin historias y sin
violencia. Oye, también ya viste como el tipo este- Porque- No, no, una cosa. Porque es un negro de mierda que está lejos de aquí y quiere... cojones.
Se ha visto como tú lo grabaste y el tipo me dio a mí, porque claro, soy más pequeño que tú. Te ve más débil. Claro, pero ahí le hablas en japonés, porque las acojona, sobre todo, que sabéis japonés, porque claro, si no sabes japonés,
¿cómo cojones vas a ten-- a hablar con la policía? Entonces, en el momento que me toca, le hablo en japonés a propósito, le dije de hecho: "¿Sabes japonés, verdad?" Y hablando japonés de esa manera, se acojonan los negros.
El problema es si hablas inglés, porque no te vas a poder quejar a la policía, digamos. Es lo que la acojona a los negros es la policía. Sí, sí, corta.
