Exploring the Myth of Tartaria

Well, Tartaria was everywhere, and history is, is fabricated, completely

fabricated, all of it. We, we used to think, well, you know,

the Dark Ages, we

don't know what that is. We realized that they invented the Dark Ages

and just put

that in there to push a whole bunch of stuff back in the past.

And we realized, you know, some of history might be wrong, but no,

no, it's all

fabricated. The whole lot is fabricated.

An interesting thing is the, uh, um, architecture we

find all around the world in all of our cities, that old Gothic style

architecture, incredibly intri-intricate design,

and people look at it and say,

"Oh, that's just the way they did things in the

old days." A lot of

those buildings, like, they're so beautiful.

The design of those buildings is so beautiful. And think about it.

If we lived in a feudal culture, if we lived in a culture where you had to

go

out and work for a living and, and earn a wage in order to pay to be

alive,

you would never have had the time or the inclination to construct buildings

that

look like that and function in the way they did.

These buildings were created a-as artistic statements.

I mean, they were functional, they were, they were power sources, they were

generators. They used to generate their own free

electricity, all sorts of things.

But they were constructed in such a way that the beauty was, was a part of it.

You just wanted to celebrate what you were creating.

We don't do that sort of stuff anymore.

Just the, the beauty of those buildings and the,

the incredible

complexity of those buildings is, is a great indication that we didn't

live in this pay to be alive society that we're living in now.

Tartaria was all over the world. It was, uh, it was, uh, an advanced

culture that had free energy. It was based on etheric energy, and it

existed up until around about two hundred to two hundred and fifty years ago.

We think even like, um... The earliest would be about s- the mid

seventeen hundreds, it, it maybe was destroyed, possibly even a little bit

later than that. And around about, um, eighteen eighty, the

late eighteen hundreds, they repopulated the world with children,

and then they

taught them whatever history they wanted.

And you gotta wonder where all the children came from.

Just look up foundling homes and foundlings and orphan trains

across the United States, across Europe. They were everywhere, children everywhere.

A couple of years ago, I was reporting on all this sort of stuff,

and, uh, then the

fires broke out and COVID broke out, and I had to kind of leave the topic and,

uh,

get on to more, you know, important things that

are dealing with us now.

But, um,

they repopulated the world with children in the, in the late eighteen hundreds.

They were lit-literally having, uh...

They had amusement parks where they had babies on display.

They had baby raffles in Paris in nineteen fifteen,

trains of orphans going across the, uh, country, across the country, across the

United States, orphans being sent out to Australia,

New Zealand, Africa.

Just repopulated the whole world with children and taught them whatever history

they wanted. And now we've got to this point where

they're basically

harvesting all the souls of those people.

It's like, like they grew their herd, you know?

I've often referred to the Earth as a people farm.

We're living in a people farm, and people don't really realize it.

I think of each country as its own separate pen.

And what they've done now at the end, this is harvest time, and they're

stocktaking. They've closed all their pens.

They're doing their stocktake, and they're harvesting all those souls

that they can

get, leading them into the mainframe.

And it's a, it's a natural progression from what

happened in Tartaria.

I mean, this will be the complete loss of human

consciousness if they are able to

lead us in there and actually able to get away with this.

It will be the end of humanity. But when you really look at what we had,

I mean, it's incredibly inspiring to see the art

and to see the, the,

the ancient history that's right there in our own cities if you

just go out and look around your city with the right eyes.

End of transcript · 754 words

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