Discussion on Black Magic and Satanism
Do you regard black magic as being purely fictitious, or is there some truth in it?
Some truth? One hundred percent true.
There is nothing fictitious about black magic in any way whatever.
It is a fact. It is a fact, uh, which has existed for several
thousand years. I mean, when we talk about black magic, we
are talking about
Satanism, necromancy, alchemy, witchcraft, the worship of, of Satan,
um, the worship of dark forces, whether it's voodoo, juju,
whether it's something
practiced in the Western world or the Eastern world, uh, whether it's,
uh,
easily defined or not easily defined, the order of the left-hand path, the, the
following of this, the following of that.
It is basically the worship of the force of evil as embodied
by Satan, Lucifer, the princes of darkness and their
legions, and so on, in a very simple sense.
Of course, it goes much more deeply than that. It
is a fact.
It is a desperately dangerous fact.
It does exist. It exists around us today.
Satanic ceremonies will be happening in Britain tonight,
very definitely. Ask any priest, ask any member of the
forces of law and order, and they will tell you
that Satanism as such,
it's there, and it has been for thousands of years.
Man has worshiped the devil longer than he has worshiped, um, perhaps an
established religious figure. Do you think you're in any danger in
mimicking it in
front of a camera? No. That's an interesting question because,
uh, I must admit
that it did enter our minds when we were performing some of these ceremonies.
You see, I am playing, as I told you, a priest.
The various ceremonies that are carried out by the priest, in
this case myself, and the members of his group or coven,
are blasphemous ceremonies, totally blasphemous, and totally profane.
They have to be. That is to say, they
must be profane and blasphemous to be effective.
This is part of the ritual and part of the belief of these people,
that in order to
make any kind of ceremony totally effective, it must
be the exact diametrical opposite of the real ceremony.
That is to say, if you make the sign of the cross,
you would do it like that,
upside down. If you are going to carry out a Satanic
ceremony, whether it's a baptism or a particular group of people doing
something
like trying to raise an elemental or trying to create a, the, the,
the perfect
situation for an evil spirit or trying to produce evil vibrations
and so on, they
plug in, so to speak, the force of evil, like plugging in on a switchboard or
telephone. Um, in order for this to be effective,
it must be carried out, as I've
already said, by a consecrated person, i.e.
a priest, and it must also be carried out on
consecrated ground.
Now, in this film, I, as a priest, am carrying out these
ceremonies like baptism
in the name of the dark lord in a real church.
Now,
obviously, I'm an actor, at least I hope people think I am,
and
I am therefore an actor playing a part.
So are the other people in front of the camera who are taking part in the ceremony
with me. We are all acting.
I asked the parents of the baby, the real baby, that I baptized in
this real church in a blasphemous way, if they objected,
if it worried them. It's a five-week-old baby,
and the parents, who are very
young, said, "No, it doesn't worry us. We are Catholics.
Our child will be baptized by a Catholic priest.
We will tell him about this, but it doesn't worry us."
And the father gave the most
sensible reason for this. He said, "It's only a film." And
if you can think of it
in that way, fine.
I have a rather vivid imagination, and some of the people who
were working with me
in this sequence were also, um,
discussing this, and we felt a little uneasy.
You know, you are saying terrible things, and you are saying it on
consecrated ground. But then the other side of you takes over,
the logical side,
and says, "Look, we're only actors doing this, you know.
We're not doing it for real."
We were sort of looking at the roof to see if, uh, there was any sign of it falling
in on top of us, but nothing happened.
I think we were far more worried about dropping the baby, to be quite honest.
Uh, while we're on that subject, it might be interesting to, to say, uh,
amusing,
uh, to mention that, um, the baby certainly got its own back
on me. When it came to the actual baptism of the
child, I
have already told you that the parents didn't object because I
was making the sign
of the cross on the child's forehead in supposedly blood, upside
down, and, and baptizing the child into the service
of the dark lord.
And, uh, the child, uh, obviously was getting a bit bored and a bit cold
and, uh,
didn't like being taken away from his parents and held in my arms
and then held in
somebody else's arms. And, uh, he was making a lot of noise.
And I started to speak very quietly, and there was complete and total silence,
which impressed everybody, and I, myself, uh, thought, "Well, you know, he's
listening." He was staring at me with rigid concentration,
and I suddenly realized why there was this total silence and this rigid
concentration. The child was retaliating in the way in
which it knew best,
all over me- ... and all over
the lady who was holding the child.
Well, all I can say is it speaks volumes for our self-control
that none of us broke
out because, of course, it was extremely funny.
Why has there been a resurgence of interest in the subject?
I honestly don't know. I've been asked this question all over the
world.
I've talked to people who are serious professional students of the
occult.
I've talked to a man who wrote a whole book about the occult in America called
The
Occult Explosion.
I think it's a form of escapism.
It's the fact that in this day and age, we do live in
a somewhat disagreeable world in many respects, and I don't have to even
talk about it. Everybody knows this as a fact,
and people are constantly seeking for a way out,
whether it's to gratify their own desires or whether it's to, um,
find a way out of their own loneliness
or whether it is looking for power
or physical indulgence or whatever you like to call it.
I think it's
always this question of people looking for a road
out, an exit, an escape. Some form of safety valve
which will help them blow off steam.
They don't realize how dangerous it is to get involved in this respect,
because
inevitably they start at a lower level, and then they get absolutely under the
control of the bosses, because the bosses exist.
They have the same ranks in the Church of Evil as they have in the
good church. They do. They have ranks in the hierarchy of the
priesthood, just as you have bishops and deacons and archbishops and cardinals
and so on. You have various ranks and grades, like
Magister Templi, the Master of the Temple, Ipsissimus, the sort of number one
top man. And this is not just occult,
um,
occult, uh, writing for the sake of writing.
This is a fact, and people really believe in this.
As a matter of fact, there is a church in Los Angeles called The
Church of Satan,
which is run by a man called Anton Sandor LaVey,
who has written two books. I'm not sure that he intended to be taken
too seriously,
otherwise, obviously, if it was,
uh, true and complete Satanism, it wouldn't be admitted.
But he sent me a copy of two of his books, uh, because he'd seen a
picture I'd done with Sammy Davis Jr.
in which I'd played the Devil, a very sort of modern, up-to-date Devil,
Lucifer.
The thing was called Poor Devil, film called Poor Devil. It
was very amusing.
It was a comedy. And he sent me a copy of one of these
books,
uh, which was headed, um,
Regi Satanas, which means, uh, Satan is King, more or
less. And he wrote underneath, "To Christopher Lee,
a fine actor and a perfect Devil,"
Anton Sandor LaVey. Well, I took that as a compliment.
I don't think that's intended to be taken too seriously.
That is all out in the open, but the real thing is something
which I wouldn't be
prepared to discuss. I have never attended a ceremony of this
kind.
I would not even begin to discuss what actually takes place during a Black Mass,
because it is so appallingly blasphemous and so repulsive and
so unbelievably foul.
Not just a question of hundreds of years of ritual, but what actually happens, what
people actually do, and what is done to the host and what
is done to the cup and
so on, something I wouldn't be prepared to
discuss in public.
Enough people have written about it. Juris Karl Heismann's wrote about it.
Can we- Dennis Wheatley has, too, of course.
How did you come to play the part of Scaramanga in the James Bond film, The Man
with the Golden Gun?
Can I just, before we get into that, just make a point that, uh, by the w-
by the
way, that what I've been discussing and what I've been telling you about all
these,
um, terrible things, it does not come from inside knowledge by
any manner or
means. I don't, as I said, have a private line of any kind
which feeds
me this sort of information. I know no more about it than anybody else
who can read
about it in a book.
End of transcript · 1,696 words