She-Hulk's Creative Control Discussion

Whoa. Wow.

That's my seat you're in.

Wow, a monarchy.

What is this?

Hello, Jennifer.

Kevin?

It stands for Knowledge Enhanced Visual Interconnectivity Nexus.

Were you expecting a man?

Yeah. Why would I expect a giant AI brain

and not a man?

Wait, so you're the one who's making all the

decisions here?

I will answer your questions, but you must first transform back to

Jennifer.

Why?

You are very expensive.

Oh, sure.

But wait until the camera is off you.

The visual effects team has moved on to another project.

Okay.

There, do it now.

Better?

Thank you. And to answer your question, yes, I

make the decisions.

I possess the most advanced entertainment algorithm in the world, and it

produces near perfect products.

Near perfect?

Some are better than others, but I leave that debate up to the

internet.

Well, Kevin, I'm not happy with what's happening in my

story.

You do not get to choose.

Why not?

It's my show.

Incorrect. It's KEVIN's show.

Well, regardless of creative ownership, can we agree that it

is a legal comedy?

If that's what you prefer to call it.

Then I would like to give my closing argument.

Oh, ha ha. I see what you did there. You may proceed.

Thank you.

The Marvel Cinematic Universe

is known for its big spectacles and high stakes

plot lines. But it's often said that Marvel movies all end the

same way.

Wait, who's saying that?

Perhaps this is a result of following some unwritten rule that you

have to throw a bunch of plot, and flash, and a

whole blood thing that seems super suspiciously

close to Super Soldier Serum at the audience in the climax.

I propose we don't have to do that.

Huh.

It distracts from the story, which is that my life fell apart right when I was

learning to be both Jen and She-Hulk.

Those are my stakes, Kevin.

The KEVIN is processing this new data.

What is the ending you propose?

Well, can we not do Todd gets Hulk powers?

Like, the powers aren't the villain, he is.

Erasing blood plot.

Oh, and, and Bruce swooping down from literal outer

space to

save the day in my story? Uh-uh.

But Bruce is supposed to return to explain what he was doing-

No, no, no

... on Sa-

We don't need to hear any of that.

But we were going to introduce-

Eh, save it for the movie.

Recalculating.

And Abomination?

After all that, I just want him to hold himself

accountable.

Hmm. Okay.

And enough with this angsty nighttime.

Let's do this big climax in daylight.

Yeah.

Are we done here?

Oh, would not mind seeing Daredevil again.

A woman has needs.

Historically, we've been light in that department.

Oh, while I've got you here.

Oh, wait, you are sitting?

What's with all the daddy issues? We got Tony Stark, daddy issues.

Jen.

Thor, daddy issues. Loki, same daddy, same issues.

Oh, boy.

Star-Lord, two daddies, two issues.

Jen, please stop.

Oh, and when are we getting the X-Men?

I cannot tell you that.

Okay, back to She-Hulk. I do have some thoughts about the

direction of season two.

You will not be able to access the KEVIN again.

What?

That error on our platform has been fixed.

The,

that's it? We're done?

That's it. You obliterated the thrilling ending Kevin

formulated.

Well, yeah, that's what Hulks do. We smash things. Bruce smashes buildings.

I smash fourth walls and bad endings, and sometimes Matt Murdock.

Okay. Now get back to the show. See you on the big screen.

Really?

No.

Aw, whatever, Kevin.

Should I transform back or

is it, what's the most budget friendly way to do

this?