Analysis of A24 Film Aesthetics
You can look at one shot from one of these fucking things and you go, "Oh, that's
an A24 movie." Trying to make it so that this, this, uh, there's, oh, there's
something weird about this German
family. By Jonathan Glazer.
Jonathan Glazer. I know what I'll do.
I'll show a German family.
See, I told you. From London. It says right here, in London.
It's these, these filmmakers that are from London.
I know what I'll do, I'll make this German family look weird.
That way you'll think that a family of white children with
blonde hair is
weird. Like an alarm going off.
I thought it was like an alarm going off. Creepy.
Blonde children in a, with this vignetting
and this sort of dark,
it's, it's full daylight bright outside, but it's, it's a dark scene
somehow. Oh, I know what I'll do, I'll make them look weird.
That's right, they're Nazis. Family, Nazis.
Family, Nazi. Family, Nazi. You want a family?
Nazi. Do you feel, do you ever feel like you deserve the best
in life?
You're a Nazi.
Family dog, Nazi.
Look at these Nazis. Oh, it's unspeakable. He's a Nazi.
I'm Jonathan Glazer. Make sure you don't look away.
Watch the full thing.
Oh, his teeth. Is that what it is? Is that what that, is that what that is?
I see teeth. Is that Holocaust stuff, or is it slavery s- Look at this.
Oh, brother. Oh, brother. It's another one?
Just in time. Just in time. We needed this.
I was forgetting,
I was forgetting how bad the-
Comes out real soon.
I was forgetting how bad the Holocaust was, but thank God
now there's an A24 film that lets me know.
And I, heck, I know which side to pick in the coming World War
III war.
A24, A24, we make the most profound, artistic
films. David Finkel. I'm Daniel Katz, me and my partner, David
Finkel, are gonna make the most profound, artistic films ever.
We'll get you guys on our side with uncut gems and Robert Pattinson on a dirt
bike or whatever. And then we'll do the real work:
making white
people look weird.
End of transcript · 366 words