Modern Interpretation of Ancient Texts
The language as well is very modern it's
a very contemporary easy to access way of speaking I mean you say
dad rather than father Sure I mean what's the thinking
behind that Because I wouldn't have even said father back in the day would I
I wouldn't have been Greek so it's no less correct People bring you know
when you look at this world when you look at the ancient world people tend
to view it in weird ways There's a lot of cultural prejudice there's a lot of
elevating it because it's old you know whatever it is When you go to the poem what
you find is something that's really earthy and grounded and accessible
And so for me in building the world of the film what
I talk to all the actors about is like I just want to center it on that and make it
feel very fresh for
modern audiences And do away with some of those assumptions
that aren't based on anything logical They're just as I say cultural prejudices or
things over time There's a lot of
stylistically you know aesthetically
people tend to look back to the Romantic era and art A lot of the paintings
where you know people aren't wearing very much They've got a little bed sheet
wrapped around them or whatever it is A lot of classical architecture even though
that wasn't the architecture of the Mycenaean period and things like that
So you know we
went back to what's in the archaeology what does that tell us and what gaps
does that leave What do we know about
Homer's time How were things portrayed in the earliest possible portrayals of that
And looking at how do you create a consistent and accessible world
around that feels vital and credible and exciting to be in
End of transcript · 309 words