Jack, Friendship and Feelings: The Audience’s Perspective

I have a hard time understanding these sudden changes.

Well, it's understandable that you can't put yourself in our shoes and experience what we go through firsthand.

Guendalina. Guendalina, I love you, my darling, sweetheart.

Really? No. No. Jack. You've already won.

Jack, bye, Jack.

It was two days, embroideries. Bye, Jack.

Let's say goodbye to your friend Jack, by the way.

Bye, Jack.

Even with Jack, there was a time when Jack talked to me a lot, Jack.

No, no, no, I kept saying: Jack, don't be like that, because if a woman tells you no, the more you pursue her, the less she can feel anything.

No, I mean, I was trying to give him a couple...

But with Roncaccia too, we were trying to...

And at a certain point, Jack took a step back.

Then one evening he came over saying: No, well, anyway, she talked to me, she told me that, in fact The story about the ice cream came up, the ice cream you would have told him as a metaphor for getting closer, like coffee could have been for Piera, basically.

But Jack, actually, I don't know what the exact phrase was, but— Sorry, no, this thing too, just as it could be that way for Marina, for me, it could be that way for the audience too, clearly, at the moment it's presented that way,

you've already won us over, which means the audience may also have seen Jack showing his feelings toward you, a friendship with Varsi and something else today.

So the audience too can have an opinion about your emotions, about the importance of your friendship, about the importance of your consistency, as a group, and your unity.

Otherwise, they wouldn't have shown this.

I think this is now clearly directed at this thing here.

Well, probably. I don't know.