Challenges in the Nigerian Music Industry
It took some time, um, all the times we performed
and did all the shows in the
Rutledge Groove, and all the time there
were no scouts to come to say, "Okay,"
because the way you scout football, footballers.
Now, there were no scouts to come and say, "Okay, they are great.
There are some good singers here." Because if we had the platform, I think we would
have e- even understood the business even more
and better.
Mm.
And then it would have been something of, um, because of knowledge
is power, you understand.
Yes.
Because we didn't have it back then.
You know, we didn't have that, um, um, information about what
publishing is, information about what, um, your mechanical
licensing is.
The, the masters and all that stuff as well.
We didn't, we didn't know anything about it.
We're just making records and you distribute.
That's crazy.
And then you just pay us how many you sell. I make a record,
I give you a master.
You sell 10, well, 10,000 copies, you pay me 5 naira for each copy you
sell, and then you can even give me an advance.
Mm. Mm.
And that's how we were living.
But Nigeria didn't even have a music industry at that time.
In- industry, exactly.
There was. It was just because of it collapsed at the
time.
When?
Because at the time of-
There was, there was a para-
There, there was, yes
... there was a pirate timeline.
Yeah, yeah.
Yeah, that's in the early, that's in early '90s.
Before, before the military-
Before
... yes
... takeover.
Yes.
Okay.
So, so when the military takeover happened-
Mm
... all the record labels left.
Fell off. Yeah.
All the European companies left Africa.
Companies, yeah. Yeah, Soniade was signed to one of those.
Soniade was signed to a show, yeah.
So we didn't have, we didn't have anything to work with.
Yes.
So we just had to just say, "Okay."
Start afresh again.
Let the music speak for itself. And if people like us and people
feel the vibe, trust me, the fan base grow.
And that was just the philosophy.
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