13 Years and 2,000 Productions: Fantasy Scripts vs. Real-Life Reactions
So you’ve been doing this for thirteen years, right? Probably around two thousand works have come out.
Scripts are like a big lump of men’s fantasies.
Yeah, because most of the viewers are men.
Right, the men who watch, and the people who write them.
As I kept acting in and watching all that,
I kind of stopped understanding normal society.
Like, “If a girl makes a move, the guy will definitely react,” or something.
Say you’re in an elevator, for example, and it stops.
But you have no idea when it will start again.
And the girl is like, huff, huff, huff…
You wouldn’t get turned on in that situation.
You’d be like, “Uh, what do you do?”
“Is she feeling sick?”
“Seriously?”
“Does she have a fever?”
“Seriously?”
Normally, that’s the way you’d think, I believe.
It wouldn’t suddenly turn into something starting, right?
I would not do anything at all.
End of transcript · 153 words · machine translated
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Original transcript (Japanese)
13年間やってきたのね、で多分作品数で言ったら2000本くらい出てて 台本ってさ男の予党の塊じゃん うん、見る人が男性が多いからね そう、見る男性とあと書いてる人 それをすごい演じたり見たりしていくうちに
なんか一般社会がわからなくなってきちゃって 女の子から仕掛けたら男の子は絶対に反応するんだみたいな エレベーターが例えば乗ってて止まりました でもいつ再開するかわかりません で女の子がはぁはぁはぁって
そこではムラムラせんやろ え、どうします? 体調悪いのかな? 本当に? 熱あるかな?
本当に? 普通そっちだと思うよ 始まったりしない? 全然やらない
