Film Depicts Iran's Nuclear Threat
But it is not just an attack against us.
It is an attack against Iran. It fans the flames
to start a war with Iran, and it's coming out, uh, in November.
It's being filmed now. Uh, Benedict Cumberbatch is playing
me. This movie has British involvement and,
and people in Britain should
be concerned about it. How does it open?
Well, and this has not been previously disclosed
before,
the opening scene,
uh, is in a military complex in Tehran.
The camera comes in, closes up on a file, and it is a design for a
nuclear bomb marked with nuclear symbols.
There's notes and whispers all around, and they're in Farsi.
They're in Persian.
There's an older scientist speaking.
A high-speed camera will measure the explosive charge
wave design to trigger the tr- chain reaction.
It is then revealed by the camera
four scientists in white coats walking in a windowless corridor.
The youngest, Sim Sana, remember that name, Sim Sana,
writes on the file, "The dimensions of the payload are
consistent with a Shabab missile."
Okay, that's the opening scene. Iran is
working on an atomic weapon. The opening scene of a, of a film
about WikiLeaks. How, how does this have anything to do with us?
Well, we'll come to it.
The next scene
concerning Iran
is in Cairo where
that p- Iranian nuclear scientist is meeting a
US CIA agent, Kate.
Close up again on the handwritten diagram of
a nuclear bomb, the same diagram as we saw in the opening.
And
Sim Sana says,
"I copied it from memory.
The--
I copied it from memory. They're testing the explosive in the next
six months." Now, remember what
Tom's National Intelligence Estimate found.
Iran did not have a nuclear program.
All sixteen US intelligence agencies feeding into that report
said that was the case with high confidence and is being
reconfirmed every year since that point.
The senior diplomat, who's also at the table with the CIA agent
says,
"Shit, we thought they were at least three years away from a
bomb.
Another lie."
Tom's report does not say that they're three years away from a
nuclear bomb.
So it's a lie upon a lie, a great big budget thing that's going to
be
pushed out in November.
The Iranian nuclear scientist then says, "If it works,
they won't hesitate to sell the technology, and
even if one of these things..." Sorry.
"If it works, they won't hesitate to sell the
technology,
and
even if these, one of these things gets into the wrong
hands,
they'll sell it anyway."
So that's
the reality of where we're at.
Not merely a war of intelligence agencies, but
a war of corrupt media, corrupt
culture. That war, we have got to understand,
people who have appeared on this panel have been involved,
sometimes with great sacrifice, at revealing the truth
about important parts of the world, how the world is unfolding,
how the world is
shaping, the nature of institutions.
They have revealed it
heroically, in many cases, to the historical record,
to our civilization as a whole, to you.
You have to understand
that
where there's great powers at work, I don't mean shadow,
shadow, shadow conspiracies. I mean enormous cultural
powers, enormous industrial powers, the, the
vast network of, uh, corporations, uh, that
interact with government agencies around the world, selling them products, shipping
their logistics from one place to another.
Uh, the National Security Agents for-- Agency, for example, uh, now
has approximately seventy percent, uh, of its expenditure, uh, pass
through Northrop, uh, Grumman, Lockheed Martin, et cetera.
This produces a lobby,
uh, that pushes in particular directions.
How is it that such a lie got into a
script about WikiLeaks? How, how is it that in the
light of that National Intelligence Estimate that anyone could think
that it was tolerable, acceptable to foist that
lie upon the public, that it would make it all the way through
the
Hollywood system, the distributors would pick it up?
Because they perceive that that is where the power lies in the
United States. They perceive that it's perfectly okay to
slander an entire nation, that it's perfectly okay to beat the
drums of war like that because
people in that system want the war. They want it.
End of transcript · 723 words