Bianca comforts Fina after criticism of her photographs
3 min Machine translated Life & society
3 min Machine translated Life & society
Hi, beautiful. May I? Of course. What are you doing here? I thought you were staying in Madrid today.
I was hoping my battle buddy would invite me to dinner, so I came.
Mmm. I heard you were only in the room for a very short time.
I didn't see you. You left. Yeah, I didn't stay very long, honestly.
Hey, what do you know about Vicente Sastre?
Because he left looking pretty unhappy. Yeah, yeah. I know, I don't know.
I have a feeling he really, really didn't like my work.
I don't know what it was, but he said nothing.
No, no, no, Bianca, stop, stop. It's my photographs he didn't like.
What? How do you know that? Because a friend of mine heard him ranting.
What did she hear? What did he say?
Look, Bianca, I wish I'd listened to you, you were completely right.
Nobody likes my photographs, Neither the critic nor most of the people who see them.
Nobody understands what I wanted to express.
Nobody. There are a few exceptions, but…
Well, Flaki, I don't know. If that's the case, I don't know, my love, I don't…
Maybe you can learn from this, right? A lesson for next time.
If there is a next time, Bianca. And do you know what makes me saddest?
That I can't stand it.
It's that I ruined your exhibition because of my own stubbornness.
No. That's it. No, my love, my paintings are there, you didn't ruin anything for me.
That's it, forget it. Let it be whatever it's meant to be. You know what?
I should have, uh, complemented your work instead of trying to find that more artistic side of mine and wanting to show it.
Wait, because I think… No, you felt strong in that moment, it's normal, it's logical.
I don't know. That's it, forget it. That's it. No, it's not good for me.
Move on, yeah. No. Move on. I've lowered the level of your exhibit, but all the way down.
And now I'm, I'm really worried about the critics, what they might say. What are they going to say?
What are they going to say? They're going to tear me apart.
But—what if they tear you apart too? I mean…
What are they going to tear you apart for?
What are they going to tear me apart for?
Don't worry. Flaki, it's your first exhibition.
That's it, okay? Maybe this will help you later on, so you can take advice better, learn things, but— It doesn't matter, because I don't know if I'll be able to exhibit again.
Come on. Of course you'll exhibit, you'll get sick of exhibiting.
Maybe people aren't constantly looking at your photos under a microscope, and people will look at the paintings, they'll enjoy themselves, that's it.
And it's a chance for you to get some experience as an artist.
So, relax a little. Take it down a notch.
You did something very important, which we haven't mentioned, and it matters.
You stood up for an idea. Even if you were wrong, you put it forward.
And that means a lot, Fina. So please, look at me.
Head up, be proud. You have to be proud.
Thank you, Bianca. Really. Thank you for trying to cheer me up.
But I'm not proud. Well…
End of transcript · 557 words · machine translated
Hola, linda. ¿Puedo? Claro. ¿Qué haces aquí? Yo pensaba que hoy te quedabas en Madrid.
Tenía la ilusión de que mi compañera de batalla me invite a cenar, así que vine.
Mmm. Que me dijeron que estuviste muy poquito en la sala.
No te vi, te fuiste. Ya, me quedé muy poco rato, la verdad.
Che, ¿qué sabes de Vicente Sastre? Porque se fue con una cara de más pocos amigos.
Ya, ya. Yo sé, no sé. Tengo la sensación de que no le gustó nada, nada mi obra.
No sé el qué, pero no dijo nada. No, no, no, Bianca, para, para.
Lo que no le han gustado son mis fotografías.
¿Cómo? ¿Cómo sabes eso? Pues porque una amiga mía le oyó despotricar.
¿Qué escuchó? ¿Qué dijo?
Mira, Bianca, ojalá te hubiera hecho caso, que tenías toda la razón.
Mis fotografías no están gustando a nadie, ni al crítico ni a la mayoría de personas que las ve.
Nadie entiende lo que yo quería expresar.
Nadie. Alguna excepción hay, pero... Bueno, Flaki, no sé.
Si eso es así, no sé, mi amor, no... A lo mejor te vale de experiencia, ¿no?
Para la próxima, una lección. Si hay una próxima, Bianca.
¿Y sabes lo que más pena me da? Que no puedo soportarlo.
Es haber arruinado tu exposición por una cabezonería mía.
No. Eso. No, mi amor, mis cuadros están ahí, a mí no me arruinaste nada.
Ya está, olvidate, que, que sea lo que tenga que ser. ¿Sabes qué pasa?
Que yo debería haber, eh, complementado tu trabajo y no haber intentado buscar ese lado más artístico mío y querer enseñarlo.
Pará, porque me parece... Nada, te sentiste fuerte en ese momento, es normal, es lógico.
Yo no sé, ya está, olvidate. Ya está. No, no me conviene.
Pasa página, sí. No. Pasa. He bajado el nivel de tu exposición, pero abajo del todo.
Y ahora me, me preocupa mucho la crítica, lo que puedan decir. ¿Qué van a decir?
¿Qué van a decir? Pues me van a destrozar.
Pero- Y como te destrocen a ti también, es que...
¿Qué te van a destrozar? ¿Qué me van a destrozar?
Quedate tranquila. Flaki, es tu primera exposición.
Ya está, ¿eh? A lo mejor esto te sirve más adelante para dejarte aconsejar mejor, aprender cosas, pero- Da igual, porque no sé si voy a poder exponer más.
Pará. Claro que vas a exponer, te vas a hartar de exponer.
A lo mejor la gente no está todo el rato mirando con lupa tus fotos y la gente va a ver las pinturas, se entretiene, ya está.
Y a vos te sirve para foguearte como, como artista.
Entonces, relajate un poquito, bajá. Hiciste una cosa muy importante, que no estamos nombrando y es importante.
Defendiste una idea. Aunque te hayas equivocado, la propusiste.
Y eso tiene mucho valor, Fina. Así que, por favor, mírame.
Cabecita alta, orgullosa. Tenés que estar orgullosa.
Gracias, Bianca, de verdad. Gracias por intentar animarme.
Pero orgullosa no lo estoy. Bueno...
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